What is an Isorhythmic motet? Isorhythmic motet. Definition and background: A form of motet of the Medieval and early Renaissance eras that is based on a repeating rhythmic pattern found in one or more of the voices. The tenor is usually the voice with the repeating rhythmic structure. Syreeta Englert Pundit. What was the primary technique used in motet composition? Coloman Barneto Pundit. Where did the Renaissance begin?
Consolacion Barnreuther Pundit. What is an organum in music? Organum is, in general, a plainchant melody with at least one added voice to enhance the harmony, developed in the Middle Ages. In its earliest stages, organum involved two musical voices: a Gregorian chant melody, and the same melody transposed by a consonant interval, usually a perfect fifth or fourth. Anisa Picchi Teacher. What was the dominant intellectual movement of the Renaissance called? Perfecta Molen Teacher.
What is the difference between a motet and a madrigal? Madrigals , because they were a later form, are usually all original parts. Zebensuy Pflugk Teacher. What is word painting in music? Word painting also known as tone painting or text painting is the musical technique of composing music that reflects the literal meaning of a song's lyrics.
For example, ascending scales would accompany lyrics about going up; slow, dark music would accompany lyrics about death. In motets, composers moved away from the cantus firms and favored freer, more expressive techniques including imitative and homophonic textures far earlier than in the mass. Over time these newer styles eventually spread to other genres including the mass.
In classical music, a motet is a highly varied choral musical composition. The motet was one of the pre-eminent polyphonic forms of Renaissance music. If the word is from Latin, the name describes the movement of the different voices against one another. The motet probably arose from the addition of text to the long melismatic passages of organum.
The motet took a definite rhythm from the words of the verse, and as such appeared as a brief rhythmic interlude in the middle of the longer, more chantlike organum. They are similar to madrigals, but with an important difference: motets are religious works, while madrigals are usually love songs.
Mass A musical mass is like a motet, only longer. Most Renaissance church music is composed for the Ordinary Mass. The main types were the German Lied, Italian frottola, the French chanson, the Italian madrigal, and the Spanish villancico. There were two main types of dances during the Renaissance: court dances and country dances.
Court dances were formal dances performed by trained dancers. Country dances were dances where anyone could participate. Once melodies were liberated from their tenor drone or cantus firmi, rhythm emerged as an important element in a composition. No longer the result of text articulations guided by the cantus firmus, rhythm was imposed onto the words of a text in order to keep the melodic lines moving independently. Machaut's Notre Dame Mass, composed for four separate voice parts -- soprano, alto, tenor, and bass -- was an advancement beyond the medieval monophonic plainchants and the organum of the High Middle ages.
In Angus Dei, four separate voices sing simultaneously. The transition to smooth, consonant polyphony didn't happen immediately. Machaut's attempts at polyphony sound slightly discordant, even forced in some places. Overall, you may find the words in Machaut's music hard to hear coherently and unambiguously right? As you listen to Agnus Dei, you will see melody lines highlighted to indicate places where one voice standouts among the other voices. Voices that move up and down rapidly or follow strong rhythms stand out more than do voices that move in a slow, sustained flow.
You may also notice that all four voices occasionally converge at cadences of long vowels, which providing stable, consonant resting platform for all voices to be together. Because scholars have classified the motet as a "polyphonic choral work set to a sacred Latin text other than the Ordinary of the Mass" Kamien 82 , Machaut's Agnus Dei is technically not a motet.
However, Machaut's polyphonic work set a precedent for motets that were later developed and refined by Machaut himself see next page and Renaissance composers after him. Imagine watching The Matrix on four different televisions simultaneously, where one version of the movie has some scenes cut, making it shorter in places, and other versions have scenes added, making their versions longer. As you watch Neo, Morpheus, and Mr. Smith on four different TV screens, each screen competes for your attention.
Occasionally all four screens show the same scenes nearly simultaneously where the notes line up at cadence , but one screen continues showing the movie out of sync with the others. At least with four screens showing different scenes of a movie, there are no moments in the story where nothing is happening. As soon as all four video panels appear on your computer monitor, rapidly click the play buttons in clockwise order of all four panels.
Is this what listening to Machaut's polyphonic music is like? One of the first types of vocal music to exploit independent voice parts in polyphony was the motet, which is a term derived from mot French for "word" , referring to the words added to the voice parts.
A motet is a "polyphonic choral work set to a Latin sacred text" Kamien 82 not usually used in the Mass. The motet was popular in the middle ages. Late medieval motets actually included two different texts — usually a Latin sacred text and a French secular text — at the same time, making the motet a "poly-textual" composition. Machaut was the main innovator behind this style of motet. Was there no stopping this guy? In his secular motet Quant en Moy , Machaut sets to music TWO separate secular love poems in French sung simultaneously, one in the soprano voice and the other in the tenor voice.
An instrumental plainchant accompaniment is played slowly with the two simultaneously sung French songs. To make the texts of the two love poems work together, the melody and rhythms of both voice parts are isolated from each other, each following its own complex rhythmic formula.
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